Cara Anthony
SIKESTON, Mo. — At age 79, Nannetta Forrest, whose father, Cleo Wright, was lynched in Sikeston, Missouri, earlier than she was born, wonders how the decades-long silence that surrounded his loss of life in 1942 influenced her life.
In 2020, Sikeston police killed one other younger Black man, 23-year-old Denzel Taylor. Taylor’s taking pictures loss of life instantly made native headlines, however then the cycle of silence in Sikeston repeated itself.
Host Cara Anthony and pediatrician Rhea Boyd draw well being parallels between the loss skilled by two households almost 80 years aside. In each instances, younger daughters have been left behind to grapple with unanswered questions and devastating loss.
“Regardless of the age, children experience longing,” Boyd stated. “They miss people when they don’t see them again; even babies can experience that.”
[Editor’s note: A swear word is bleeped out in this episode.]
Host
Cara Anthony
Midwest correspondent, KFF Health News
Cara is an Edward R. Murrow and National Association of Black Journalists award-winning reporter from East St. Louis, Illinois. Her work has appeared in The New York Times, Time journal, NPR, and different shops nationwide. Her reporting journey to the Missouri Bootheel in August 2020 launched the “Silence in Sikeston” undertaking. She is a producer on the documentary and the podcast’s host.
In Conversation With …
Rhea Boyd
Pediatrician and public well being scholar
click on to open the transcript
Transcript: Trauma Lives within the Body
Editor’s notice: If you’re able, we encourage you to take heed to the audio of “Silence in Sikeston,” which incorporates emotion and emphasis not discovered within the transcript. This transcript, generated utilizing transcription software program, has been edited for type and readability. Please use the transcript as a device however verify the corresponding audio earlier than quoting the podcast.
[Solemn instrumental music begins playing softly.]
Cara Anthony: When Nannetta Forrest was rising up, lots went unsaid in her household.
Nannetta Forrest: You know, individuals didn’t do plenty of speaking again then. And it was nearly like making an attempt to drag enamel out of a hen.
Cara Anthony: She lived almost her complete life in Indiana, however Nannetta’s story — the secrets and techniques and the silence — all began in Sikeston, Missouri.
Nannetta was born there in 1942. Several months earlier, whereas her mom was pregnant, Nannetta’s father was lynched.
His identify … was Cleo Wright.
Nannetta Forrest: He was taken away earlier than I obtained right here!
Cara Anthony: Taken from a jail cell. Taken and dragged by means of the streets by a white mob. Taken to Sunset Addition, the middle of Black life in Sikeston, and lynched. Taken from his household.
Nannetta’s mom saved quiet. She by no means needed her daughter to know what occurred to her father.
But at some point, Nannetta was along with her grandfather. A recreation present that aired on CBS within the Fifties was on TV. It was referred to as “Strike it Rich.”
[Clip from “Strike it Rich” begins playing.]
“Strike It Rich” clip: Mr. “Strike It Rich” himself, Warren Hull. [Applause]
Nannetta Forrest: Celebrities would go on, they usually’d attempt to win cash for, like, underprivileged individuals.
“Strike It Rich” clip: Thanks lots!
Nannetta Forrest: And that’s when Grandpa instructed me, he stated, “You can go on there, Nan.” And I stated, “Go on there with what?” And that’s when he went in his pockets and pulled out this yellow piece of paper.
[Solemn instrumental music plays.]
Cara Anthony: It was a newspaper clipping in regards to the lynching of her father.
Nannetta Forrest: And that was my first time ever turning into conscious of it.
Cara Anthony: It was round 1955. Nannetta was 13 or 14 on the time.
Nannetta Forrest: I did wanna know the story behind it, what occurred, however no person appeared to wanna speak about it.
Cara Anthony: Over the years, she pieced collectively bits of what occurred. But there was all the time one nagging query that didn’t have a solution:
What would her life have been like if that mob hadn’t lynched her dad?
Nannetta Forrest: Now, I do usually surprise that. Had he been alive once I was born and been in my life, what kind of particular person would I’ve been? Would I’ve been the identical particular person? Would I’ve been a special particular person? And that is one thing I’ll by no means know.
Cara Anthony: I’m Cara Anthony. I’m a well being reporter.
I’ve traveled to Sikeston, Missouri, for years, asking individuals in regards to the killing of Cleo Wright — and the silence that surrounds his loss of life.
Nearly eight a long time after the killing, that silence was nonetheless stifling. Like generations of stuffed-down worry and anger.
At almost each flip, locals refused to speak to me. In reality, many individuals felt they might not discuss to me. Until I met … Mikela Jackson.
[Solemn instrumental music fades out.]
Mikela Jackson: It’s … it’s … it’s no therapeutic from grief. It’s an on a regular basis factor for me.
Cara Anthony: Mikela goes by Keke. She’s in her mid-20s. But she’s heard in regards to the lynching again in 1942.
Cara Anthony: Talk to me a bit of bit about that. Have you ever heard of Cleo Wright?
Mikela Jackson: Denzel brung that as much as me. Denzel brung it as much as me as a result of we used to dwell on Sunset Street, and he was telling me, like, they dragged him by means of Sunset.
Cara Anthony: “Denzel” is Denzel Taylor, Keke’s fiancé.
Sikeston police shot him no less than 18 instances — and killed Denzel in April 2020. He was 23 years previous.
That 12 months, everybody was speaking about new analysis that discovered {that a} Black man had a 1-in-1,000 likelihood of being killed by police.
Denzel Taylor grew to become that 1 in a thousand.
[Sparse, minor music plays quietly.]
Right in the midst of her grief, Keke refused to be quiet.
Mikela Jackson: The Bootheel is aware of what occurred to him. The world, they don’t know who Denzel Taylor is.
Cara Anthony: The Bootheel is the place Sikeston sits — within the far southeast nook of Missouri.
Mikela Jackson: So that’s why I would like his story … I wanna make him proud, truly. ’Cuz I would like him to know, look, Babe, they going to listen to this a method or one other.
Cara Anthony: I made a movie in regards to the deaths of Denzel and Cleo — two Black males killed a long time aside — in the identical neighborhood.
For the documentary, we explored questions in regards to the influence of racial trauma and the persistent hurt it causes.
Here, for the podcast, we’re exploring one other layer. How does systemic racial violence influence well being? The well being of Black individuals, particularly?
[“Silence in Sikeston” theme begins playing.]
Denzel’s story jogs my memory a lot of Cleo’s. So many issues about their lives — and their deaths — are comparable.
They each left behind a daughter they by no means obtained to satisfy.
They each have been killed by a public well being menace of their time.
A menace to Black males of their time.
For Cleo, that was lynching.
For Denzel, it was police violence.
Neither of them obtained their day in courtroom.
In this episode, we’re what occurred to Denzel Taylor.
We’re exploring police violence as a public well being downside. One that’s making us sick and chopping lives brief.
From WORLD Channel and KFF Health News, and distributed by PRX, that is “Silence in Sikeston,” the podcast about discovering the phrases to say the issues that go unsaid.
Episode 3: “Trauma Lives in the Body.”
[“Silence in Sikeston” theme ends.]
[Gentle, bright instrumental music plays.]
Cara Anthony: Denzel was from Chicago. Growing up, he frolicked in southeastern Missouri along with his dad’s household.
Denzel and Keke met in Sikeston. And Keke says they fell in love instantly.
Mikela Jackson: It was a butterfly feeling, like you can simply inform it was love. It was one of the best power ever.
Cara Anthony: They began their household. De’nia was born first. Denzel used to name her “Cupcake.”
Denzel Taylor: Hey, Cupcake. Say hey, y’all. I really like you, princess. [Baby babbles.]
Cara Anthony: Aiyana got here subsequent. In 2020, Keke was pregnant with their third daughter, Brookelynn.
Mikela Jackson: He stated he needed seven children. I stated, Denzel, what? He needed seven children. That’s a basketball crew. I can’t deal with that.
Cara Anthony: They have been planning to get married after Brookelynn was born.
Mikela Jackson: I actually needed an enormous household with Denzel. I needed to get married. I needed to go to D- … We was planning on transferring to Dallas and all the things and it’s identical to, my complete world is rather like, it simply blew up on me.
Cara Anthony: Remember 2020? It felt just like the information was filled with tales about Black individuals getting killed by police.
Videos from physique cameras have been throughout social media. Around that very same time, Keke remembers Denzel getting pulled over by police increasingly.
And, Keke says, he began to turn into satisfied that sometime he may be killed by police too.
Mikela Jackson: He stated if he was to ever get in any kind of interplay with the police, he would allow them to kill him simply to point out how America is.
He would carry it up, like, outta nowhere. And he would say it, and I might surprise, like, why is you consistently saying it? And I type of will get irritated as a result of it’s, like, that’s not a approach that I’ll need you to exit. Like, we’re imagined to develop previous collectively.
Cara Anthony: On April 29 that 12 months, Denzel’s premonition got here true.
Police physique cameras captured what occurred the night time Denzel was killed.
You’re about to listen to a retelling of what occurred the night time Denzel died — based mostly on interviews along with his household and audio pulled from these physique cam movies.
When I first obtained the movies, I stared on the attachments in my e-mail for a very long time. I didn’t need to look.
[Soft droning music fades in.]
But I feel it’s vital that we do look at what occurred. It’s a part of what I’ve to do to look at police killings as a public well being menace.
Denzel was staying along with his father and his stepmom.
[Rain sounds play.]
It was raining that night time. Denzel and his dad, Milton Taylor, have been caught in the home collectively.
They obtained into an argument. Things escalated.
Denzel’s mother, Jean Kelly, was asleep in Chicago some 400 miles away. In the early hours of the morning, Denzel’s sister bumped into her room yelling.
Jean Kelly: “Mom, wake up.” I stated, “What happened?” She stated, “Denzel just shot Daddy.” I stated, “What? Denzel just shot Daddy? That doesn’t make any sense at all.”
EMS audio: 49-year-old. Male. Gunshot wound. Two to a few photographs to the chest. Five officers on scene.
Cara Anthony: By the time police arrived at Milton’s dwelling, Denzel had left. EMTs stabilized Milton and took him to the hospital.
EMS audio: We’re working scorching. St. Francis. One affected person.
Cara Anthony: Meanwhile, up in Chicago, Jean is making an attempt to determine what’s occurring. She calls Milton’s spouse, Denzel’s stepmom.
Jean Kelly: She stated she had a few members of the family out searching for Denzel, you realize, as a result of she was saying, “I want them to find him before the police finds him.”
Cara Anthony: Police are talking with Denzel’s stepmom when he seems.
The body-camera video reveals the scene from an officer’s perspective.
[Music fades out.]
Cara Anthony: By now, it’s stopped raining. A streetlamp lights up the tip of the block. Police had wrapped the realm in yellow police tape. The digital camera reveals Denzel standing within the close to distance on the opposite facet of the yellow tape. He’s sporting a hoodie.
Officers: Show me your arms now! Take your hand out of your pocket!
Denzel Taylor: Just kill me, bro.
Jean Kelly: They have been saying, uh, “Put your hands up” or regardless of the, the, they stated to him, and there was some phrases exchanged. And, uh, it gave the impression of he stated, “Well, shoot me, bro. Just go ahead, shoot me.”
Cara Anthony: The officers hearth their weapons.
Jean Kelly: They hit my son one time, I imagine, if not two, and my son fell. He went, he dropped to his knees and fell face down.
Cara Anthony: There’s a pause. It’s only a second or two, however as I watch it, it feels longer.
And then, the police hearth once more, sending bullets into his physique on the bottom. They preserve taking pictures. You can hear dozens of photographs.
Police physique cam video: We obtained photographs fired. We want EMS. We obtained one topic down, photographs fired! Hands now! Hands! Hands!
Cara Anthony: One officer walks up — and makes use of his foot to roll Denzel the remainder of the best way onto his abdomen. Denzel groans because the officer pins his arms behind his again and handcuffs him.
[Handcuffs click]
Cara Anthony: They search his physique.
Police physique cam video: Goddamn it.
Cara Anthony: Police don’t discover a gun. Or any weapon. Just a chunk of wooden in his hoodie pocket.
Police physique cam video: Are you [expletive] severe? He had a [expletive] stick of wooden.
Cara Anthony: Police name for an ambulance.
EMS audio: … EMS reply to at least one topic shot. Time of web page, 02 36.
Cara Anthony: On the physique digital camera video, one officer factors a flashlight in Denzel’s face.
Police physique cam video: Why didn’t you simply take your hand out of your pocket, man?
Cara Anthony: Minutes tick by. Red and blue police lights flash off the moist pavement. Denzel continues to be on the street, immobile.
[Ambulance sirens]
Cara Anthony: EMS arrive, however it’s too late. Denzel is useless.
Over the radio, the dispatcher requires the coroner.
EMS audio: That’s sure, ma’am. Contact coroner. Ten-four.
[Somber instrumental music plays softly.]
Cara Anthony: Keke had been out of city. She obtained the decision as she was driving again to Sikeston. The police had killed Denzel.
Mikela Jackson: And I stated, “No, they did not. No, they did not.” I couldn’t imagine it. It was heartbreaking.
Cara Anthony: A particular prosecutor declined to file fees in opposition to the cops who killed Denzel. The officers didn’t remark for this undertaking. Sikeston Chief of Public Safety James McMillen says the officers believed Denzel was armed and that they have been in worry for his or her life.
Denzel’s household sued the town of Sikeston. The metropolis and the household reached a wrongful loss of life settlement for $2 million. Close to half of it went to authorized charges. Most of the remainder of it’s going to go to Denzel’s daughters.
Keke thinks lots about how life goes on for the officers who killed Denzel.
Mikela Jackson: They nonetheless get to see their household each single day of their life. They nonetheless get to name their daughters. They nonetheless get to go dwelling and tuck their children into mattress. Denzel can by no means do this ever, ever once more.
I’m a compelled single mother or father. I’ve to push by means of each single day.
Keke watched the physique cam video time and again. But Denzel’s loss of life simply wouldn’t sink in. And she’s fearful about their daughters.
Mikela Jackson: I hope they by no means see the video ’trigger that’s traumatizing. ’Cause that’s their dad.
Cara Anthony: Eventually, Keke left Sikeston. She says there are too many reminiscences of Denzel and what occurred to him there.
On the day I visited her new dwelling, it was simply over a 12 months after Denzel’s loss of life.
[Cara and Keke laugh together in the background.]
Two-year-old Aiyana is napping within the subsequent room. Keke has the youngest, Brookelynn, on her lap. And the oldest, De’nia, is … in all places.
Right now, she’s zooming by means of the eating room on a scooter.
Cara Anthony: She simply did, like, a trick, like a BMX. She’s BMXing on this condominium proper now. Is she a daredevil?
Mikela Jackson: She do this on a regular basis. [Laughter] Too a lot. No. No bike.
Cara Anthony: Eventually, De’nia parked her wheels and talked to me.
Cara Anthony: Let’s simply get this began. Tell me your identify once more and the way previous you’re.
De’nia: Four.
Cara Anthony: And what’s your identify?
De’nia: De’nia.
Cara Anthony: In my time as a well being reporter, I’ve written lots in regards to the influence gun violence has on children. I’ve gotten some coaching in easy methods to discuss to them about it on their degree — with out retraumatizing them.
Cara Anthony: Your mommy’s sitting right here, and he or she stated I’ve permission to ask you about your daddy.
De’nia: Daddy?
Cara Anthony: Do you miss your daddy?
De’nia: Yes.
Cara Anthony: Yeah? Where’s your daddy?
De’nia: I don’t know.
Cara Anthony: Yeah.
De’nia: He’s sleeping.
Cara Anthony: Hmm?
De’nia: He’s sleeping.
Cara Anthony: You stated he’s sleeping?
De’nia: Yes.
Mikela Jackson: That’s what she say. She stated, “My daddy’s sleeping.”
Cara Anthony: De’nia is making an attempt to make sense of why her dad isn’t with them anymore. And Keke doesn’t know what to inform her.
Mikela Jackson: Like final night time she truly awakened out of her sleep and he or she was crying and he or she was like, Mama, my daddy. And I didn’t know what to inform her as a result of it’s, like, what do you inform a 4-year-old that they’re by no means ever going to see their dad once more?
[Subtle instrumental music plays.]
Cara Anthony: I referred to as a pediatrician, Rhea Boyd, to speak about what shedding a mother or father to police violence might imply for teenagers like De’nia, Aiyana, and Brookelynn.
Rhea Boyd: Regardless of the age, kids expertise longing. They miss individuals after they don’t see them once more, even infants can expertise that.
Cara Anthony: Losing a mother or father — particularly to violence — can have a serious influence on a toddler’s future well being.
Rhea Boyd: Certain experiences, together with the loss of life of a mother or father, will increase a toddler’s danger for sure bodily well being illnesses, like coronary heart illness, um, type of neurologic illnesses, like elevated danger for Alzheimer’s. Mental well being impairments, like elevated danger for melancholy. And these are elevated dangers as they transfer into maturity.
Cara Anthony: Study after examine present the hyperlink, despite the fact that we don’t completely perceive all of the mechanisms.
Rhea Boyd: It’s not simply innate to our biology. It’s due to the circumstances during which Black people have been compelled to dwell.
Cara Anthony: Black individuals within the United States carry extra stress all through their lives than white individuals. That doesn’t change, even after they earn more money.
Researchers have tied that stress to the racism we cope with in on a regular basis interactions — and to the institutional racism that makes it tougher for us to deal with ourselves and our households.
Black individuals age quicker, get sicker, and die before our white friends — and carrying power stress is an element.
Rhea says police violence contributes to this, too.
Rhea Boyd: Police are a public establishment. And after they disproportionately take the lives of Black people, or disproportionately police Black neighborhoods, that has direct impacts on our lives, on our well-being.
Cara Anthony: Keke says, again when she was residing in Sikeston, she felt anxious each time she noticed police lights in her rearview mirror.
[Subtle instrumental music ends.]
Mikela Jackson: Now, it’s like, OK, right here it go once more. I’m getting pulled over. Because it, I’m, it’s, I’m used to it at this level. I’m used to it.
Cara Anthony: Used to it, possibly. But not numb to it.
Mikela Jackson: I can’t inform my children, “Hey, don’t be scared when you get pulled over.” I can’t inform them that. ’Cause I’m nonetheless scared myself, even a 12 months later. I’m nonetheless scared.
Cara Anthony: Rhea calls this “anticipatory stress.”
Rhea Boyd: Anticipatory stress means you carry a degree of vigilance and fear and concern about issues that may occur to you or your children.
Cara Anthony: Children can decide up on what’s occurring in these conditions and may find yourself carrying that poisonous stress, too.
Denzel Taylor’s mom, Jean Kelly, instructed me in regards to the fear that comes with having a Black son in America. The worry that he might turn into that 1 in 1,000 Black males killed by police.
[Grand, angelic music plays in the background.]
Jean Kelly: [Singing] Lord, have mercy on me …
Cara Anthony: Jean says earlier than Denzel’s loss of life, her spirit was on alert, like she was bracing for one thing unhealthy. And a tune saved enjoying time and again in her thoughts.
Jean Kelly: [Singing] Lord, have mercy on me. I stated, Lord, have mercy on me.
I simply wanted his, I wanted his mercy and his grace and energy and all the things to arrange me for what was to be … no matter it was to be, I used to be going to wish his mercy.
[Grand, angelic music fades out]
Cara Anthony: I do know what Black persons are coping with in the present day. But I can solely think about what it will have been like in 1942, when Cleo Wright was lynched.
Rhea Boyd: The kind of management individuals had their children and their physique underneath consistently in order that they weren’t the sufferer of that kind of violence, I feel, physiologically, it was seemingly so huge that the intergenerational results of that kind of terror nonetheless dwell in our our bodies as descendants of those that skilled it.
Cara Anthony: Research is beginning to discover how residing with this type of terror might transcend behaviors to one thing deeper: altering how our genes work.
[Bouncy instrumental music plays.]
Some of this analysis comes out of a subject referred to as “epigenetics.” It’s the concept one thing you expertise can change how the genes in your physique are expressed.
And that can have large impacts in your well being: It might make you age faster or be extra vulnerable to growing a illness like most cancers.
And epigenetic analysis is wanting into how issues your ancestors skilled might additionally have an effect on your well being in the present day.
A police taking pictures and a lynching.
Two Black males killed in the identical city — almost 80 years aside.
As I reported their tales, many individuals have requested why we’re inspecting the deaths of Cleo Wright and Denzel Taylor facet by facet.
After years of reporting on these deaths, I’ve determined, as a well being reporter, I need to concentrate on is that this: the trauma that continues to be after the violence in opposition to these males — the potential well being results for his or her households and their communities.
I need to higher perceive what the loss might imply for Cleo and Denzel’s daughters. Little ladies rising up with out their dad.
Cleo’s daughter, Nannetta Forrest, wasn’t born but when her father was killed. When we final spoke a number of years earlier than she died, she was 78 years previous. And she stated she was nonetheless asking herself that query that had nagged at her, her complete life: Who would she have been?
Nannetta Forrest: Would I’ve been the identical particular person? Would I’ve been a special particular person?
Cara Anthony: And Denzel’s ladies: De’nia and Aiyana. And Brookelynn, who wasn’t born but. Brookelynn would possibly ask herself the identical factor as she grows.
Mikela Jackson: She has no reminiscences. She’s by no means seen him a day in her life. So it’s like, she’ll by no means know him, like, as an individual. [Den’ia playing in the background]
Cara Anthony: Just like Nannetta, Denzel’s ladies are going through greater dangers of psychological and psychological well being issues … and the chance that shedding their father this manner might change how their genes work.
[“Silence in Sikeston” theme begins playing.]
In the face of these dangers and potentialities, Keke’s searching for methods to guard her daughters.
She’s moved them away from Sikeston to a metropolis the place she hopes they’ll have extra peace.
She needs them to know all about their dad, and the way a lot he liked them.
She needs them to know his voice.
Denzel Taylor: Hey, Cupcake!
Cara Anthony: It’s the other of silence. She needs them to have the ability to heal out loud.
On the subsequent episode, we’re in Sikeston, the place persons are searching for methods to heal and transfer ahead after the deaths of Cleo Wright and Denzel Taylor.
Pershard Owens: We obtained to look within the mirror and say, am I doing what I can to try to change the dynamic of Sikeston, even when it does harm? That’s what we have now to begin doing.
Cara Anthony: Including the chance for huge adjustments — community-level, systemwide adjustments.
James McMillen: I get annoyed and I’m making an attempt to direct that frustration into one thing that would truly work.
Cara Anthony: That’s subsequent time, on the ultimate episode of “Silence in Sikeston.”
[“Silence in Sikeston” theme ends.]
[Upbeat instrumental music plays.]
Cara Anthony: Thanks for listening to “Silence in Sikeston.”
Next, go watch the documentary — it’s a joint manufacturing from Retro Report and KFF Health News, introduced in partnership with WORLD.
Subscribe to WORLD Channel on YouTube. That’s the place you’ll find the movie “Silence in Sikeston,” a Local, USA particular.
This podcast is a co-production of WORLD Channel and KFF Health News and distributed by PRX.
It was produced with help from PRX and made potential partially by a grant from the John S. and James L. Knight Foundation.
The audio sequence was reported and hosted by me, Cara Anthony.
Zach Dyer and Taylor Cook are the producers.
Editing by Simone Popperl.
Taunya English is managing editor of the podcast.
Sound design, mixing, and authentic music by Lonnie Ro.
Podcast artwork design by Colin Mahoney and Tania Castro-Daunais.
Oona Zenda and Lydia Zuraw are the touchdown web page designers.
Have you seen the wonderful Sikeston images? It’s from Michael B. Thomas.
And Lynne Shallcross is the photograph editor.
Thank you to my vocal coach, Viki Merrick.
Music on this episode is from Epidemic Sound and BlueDot Sessions.
Additional audio from the CBS TV present “Strike It Rich” and Denzel Taylor’s household.
Some of the audio you’ll hear throughout the podcast can also be within the movie.
For that, particular because of Adam Zletz, Matt Gettemeier, Roger Herr, and Philip Geyelin.
Kyra Darnton is govt producer at Retro Report.
I used to be a producer on the movie.
Jill Rosenbaum directed the documentary.
Kytja Weir is nationwide editor at KFF Health News.
WORLD Channel’s editor-in-chief and govt producer is Chris Hastings.
We’re conserving this dialog occurring Instagram and X.
Tarena Lofton and Hannah Norman are engagement and social media producers for the present.
Help us get the phrase out about “Silence in Sikeston.”
Write a evaluate or give us a fast score wherever you take heed to this podcast.
Thank you. It makes a distinction.
Oh, yeah. And inform your folks in actual life, too.
[Upbeat instrumental music ends.]
Credits
Taunya English
Managing editor
Taunya is deputy managing editor for broadcast at KFF Health News, the place she leads enterprise audio tasks.
Simone Popperl
Line editor
Simone is broadcast editor at KFF Health News, the place she shapes tales that air on Marketplace, NPR, and CBS News Radio, and he or she co-manages a nationwide reporting collaborative.
Zach Dyer
Senior producer
Zach is senior producer for audio with KFF Health News, the place he supervises all ranges of podcast manufacturing.
Taylor Cook
Associate producer
Taylor is an impartial producer who does analysis, books visitors, contributes writing, and fact-checks episodes for a number of KFF Health News podcasts.
Lonnie Ro
Sound designer
Lonnie Ro is an audio engineer and composer who brings audio tales to life by means of authentic music and skilled sound design for platforms like Spotify, Audible, and KFF Health News.
Additional Newsroom Support
Lynne Shallcross, photograph editorOona Zenda, illustrator and internet producerLydia Zuraw, internet producerTarena Lofton, viewers engagement producer Hannah Norman, visible producer and visible reporter Chaseedaw Giles, viewers engagement editor and digital strategistKytja Weir, nationwide editor Mary Agnes Carey, managing editor Alex Wayne, govt editorDavid Rousseau, writer Terry Byrne, copy chief Gabe Brison-Trezise, deputy copy chief Tammie Smith, communications officer
The “Silence in Sikeston” podcast is a manufacturing of KFF Health News and WORLD. Distributed by PRX. Subscribe and pay attention on Apple Podcasts, Spotify, Amazon Music, iHeartwork, or wherever you get your podcasts.
Watch the accompanying documentary from WORLD, Retro Report, and KFF beginning Sept. 16, here.
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